Four Traits Of Successful Children's Book Writers
My son's been taking karate for four years, and every time he tests for the next rank
(he's up to his brown now), fewer kids who started with him as white belts test alongside
him. It's not that Matt's necessarily a better athlete than they are, but karate is more
important to him. He likes learning the forms, and he enjoys surviving a two hour,
physically grueling test knowing that most of his friends would have been flattened in the
first 20 minutes. When aspiring writers start identifying themselves as authors, just as
Matt sees himself as a martial artist, they've taken that first big step toward success.
But there's a difference between wanting to see your name on a book, and wanting a
career as a children's book author. Anyone with a few bucks can publish their own story,
and many books are perfectly suited to be self-published titles given to family and
friends. The career mentality, however, is more complex. Check out some common
characteristics below and see how you measure up:
Humility: When I get emails from people saying, "I'm going to be the next Dr.
Seuss," I cringe. Confidence is fine, but don't compare yourself to someone like Dr. Seuss
right out of the gate. In fact, don't compare yourself to anyone. Work on finding your own
style and voice. And know that you don't have to become a literary institution to be a
success. Learning to write well is a lifelong process, and the writers who get published
understand that each manuscript, whether it sells or not, teaches them something.
They're not afraid to be critiqued or edited. They've put their heart into a book or
article, and then removed their ego. They understand that if their critique group or
editor says a plot is too predictable, it's far better to chuck the storyline and start
over than to fight to preserve a mediocre manuscript. And they're grateful for the input
that saved them from dozens of rejection letters.
Will Work for Resume: Successful authors know that their query letters are more
impressive if they can list some publishing credits. They're willing to write for little
or no money at first, because the experience of meeting a deadline and working with an
editor is invaluable. They may decide to sell one story to a magazine that buys all rights
so their next story can be sold to a bigger publication that purchases first rights only.
They'll submit to local magazines, regional publishers and small presses as they perfect
their manuscripts intended for larger, national publishers. Well-published authors don't
overlook any market that might be right for a particular work. And when you're just
starting out, seeing your byline in a local parenting publication is just assatisfying as
appearing in Highlights for Children.
Tensity: Matt's karate teacher urges him to be intense about his practice, and
Matt's dubbed this mindset "'tensity." The prolific writers I know think the same way.
Though most have families and jobs, they live, eat and breathe writing. Any spare moment
is devoted to working on a manuscript. Free weekends are spent at conferences and workshops.
When they're not writing, they're reading children's books. As soon as they get one
manuscript in the mail, they start the next one. In fact, super successful authors work
on several manuscripts at once. If they're uninspired to revise a scene from their novel,
they'll write a query for an article idea or do research for a picture book biography.
You don't have to maintain this level of activity to become published. Most writers
don't. But if you want to make a living as a children's book author, if you want your web
site to list 50 or more books in print, then it's practically required.
Plays the Field: Well-published authors don't limit themselves to one genre.
They'll write picture books, novels, short stories for magazines, poetry, nonfiction, and
material for adult markets such as parenting magazines or writing newsletters. After one
book comes out they don't wait for their editor to ask for another manuscript; they create
what inspires them and if it's not right for their current editor, they market it